Konzervatorsko-restauratorski radovi na olegrafiji "Madona" po J. P. Kiesslingu

master's thesis

• Author: Ana Štimac
• Mentor: Jagor Bučan (mentor)
• Mentor: Krunoslav Kamenov (mentor)
• Committee member: Tamara Ukrainčik (predsjednik povjerenstva)
• Committee member: Dora Kovačević (član povjerenstva)
• Committee member: Zvjezdana Jembrih (član povjerenstva)
• Granter: University of Zagreb; Academy of Fine Arts; (Department of Conservation and Restoration); Zagreb
• Defense date and country: 2018-02-21, Croatia
• Scientific / art field, discipline and subdiscipline: FIELD OF ART; Fine Arts

Abstract

U ovom diplomskom radu opisani su konzervatorsko-restauratorski radovi na kromolitografskoj1 reprodukciji štafelajne slike „Madona“ po Johannu Paulu Kiesslingu. Reprodukcija je izvedena u tehnici kromolitografije na papiru kaširanom na platno i nije poznato kada i gdje je otisnuta. Slika je u privatnom vlasništvu. Teorijski dio ovog rada obuhvaća povijesni vid te principe litografije, na čijem je tehničko-tehnološkim osnovama zasnovana i kromolitografija, u njemu su navedeni nakladnici oleografija, litografski zavodi i uloga oleografije. Praktični dio rada daje informacije o zatečenom stanju slike, dokumentaciji konzervatorsko-restauratorskih radova te provedenih analiza platna, papira, laka i ljepila. Nakon završetka konzervatorsko-restauratorskih radova, slika će biti vraćena vlasniku uz kompletnu konzervatorsko-restauratorsku dokumentaciju. kromolitografija, štafelajna slika, papir, litografija, oleografija, konzerviranje, restauriranje, Madona 1 Komercijalni

Abstract (english)

This diploma thesis described conservation and restoration works on chromolithographic2 reproduction of the painting of "Madonna" by Johann Paul Kiessling. The image was made using the technique of chromolithography on paper laid on canvas. It is unknown when and where it was printed. The image is privately owned. The theoretical part of this thesis covers the historical overview and the principles of lithography, which are also the principles on which chromolithography is based. It also deals with the publishers of oleographies, lithographic institutes and the role of oleography. The practical part of the thesis provides information on the condition of the image, the documentation concerning the conservation and restoration works, and the analysis of the canvas, paper, varnish and glue. Upon the completion of the conservation and restoration works the image will be returned to the owner along with the complete conservation and restoration documentation.

• Keywords: kromolitografija; štafelajna slika; papir; litografija; oleografija; konzerviranje; restauriranje; Madona
• Keywords (english): chromolithography; easel painting; paper; lithography; oleography; conservation; restoration; Madonna
• Language: croatian
• URN:NBN: urn:nbn:hr:215:719157
• Study programme: Title: Conservation and Restoration; specializations in: Painting, Sculpture; Course: Painting; Study programme type: university; Study level: integrated undergraduate and graduate; Academic / professional title: magistar/magistra restauriranja i konzerviranja umjetnina (magistar/magistra restauriranja i konzerviranja umjetnina)
• Type of resource: Text
• File origin: Born digital
• Access conditions: Access restricted to students and staff of home institution
• Public note: Izbor iz slikovnih priloga napravila urednica.
• Repository: Repository of the Academy of Fine Arts in Zagreb
• Created on: 2018-09-13 10:47:27