prikaz prve stranice dokumenta Bachove harmonizacije protestantskog korala
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master's thesis
Bachove harmonizacije protestantskog korala
Zagreb: University of Zagreb, Music Academy, 2000. urn:nbn:hr:116:568453
Hrelec, Tvrtko
University of Zagreb
Academy of Music

Cite this document

Hrelec, T. (2000). Bachove harmonizacije protestantskog korala (Master's thesis). Zagreb: University of Zagreb, Academy of Music. Retrieved from https://urn.nsk.hr/urn:nbn:hr:116:568453

Hrelec, Tvrtko. "Bachove harmonizacije protestantskog korala." Master's thesis, University of Zagreb, Academy of Music, 2000. https://urn.nsk.hr/urn:nbn:hr:116:568453

Hrelec, Tvrtko. "Bachove harmonizacije protestantskog korala." Master's thesis, University of Zagreb, Academy of Music, 2000. https://urn.nsk.hr/urn:nbn:hr:116:568453

Hrelec, T. (2000). 'Bachove harmonizacije protestantskog korala', Master's thesis, University of Zagreb, Academy of Music, accessed 20 April 2024, https://urn.nsk.hr/urn:nbn:hr:116:568453

Hrelec T. Bachove harmonizacije protestantskog korala [Master's thesis]. Zagreb: University of Zagreb, Academy of Music; 2000 [cited 2024 April 20] Available at: https://urn.nsk.hr/urn:nbn:hr:116:568453

T. Hrelec, "Bachove harmonizacije protestantskog korala", Master's thesis, University of Zagreb, Academy of Music, Zagreb, 2000. Available at: https://urn.nsk.hr/urn:nbn:hr:116:568453

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Metadata
TitleBachove harmonizacije protestantskog korala
AuthorTvrtko Hrelec
MentorBranko Lazarin (mentor)
GranterUniversity of Zagreb
Academy of Music
Zagreb
Defense date and country2000, Croatia
Scientific / art field,
discipline and subdiscipline		FIELD OF ART
Art of Music
Abstract
Prvi dio rada osvrće se na povijest protestantskog korala, njegovu formalnu strukturu i ljestvične sustave korištene u vrijeme pojave protestantskog korala. Središnji dio rada predstavlja analizu Bachove harmonizacije protestantskog korala (upotreba trozvuka, četverozvuka, peterozvuka i kvartsekstakorda), upotrijebljenih oblika kadenci, neakordnih tonova, kromatike, načina moduliranja, te konačno upotreba odstupanja od pravila strogog harmonijskog sloga (paralelni pomaci, opreke, križanja glasova, nedozvoljeni intervalski skokovi, izostavljanja i udvajanja akordnih tonova, priprave i rješenja septime itd).
Keywords
Languagecroatian
URN:NBNurn:nbn:hr:116:568453
Study programmeTitle: Graduate University Study Programme in Music Pedagogy (Double Major)
Study programme type: university
Study level: graduate
Academic / professional title: magistar/magistra glazbene pedagogije (magistar/magistra glazbene pedagogije)
Type of resourceText
File originReformatted digital
Access conditionsAccess restricted to students and staff of home institution
Terms of useLicence In copyright icon
RepositoryAcademy of Music University of Zagreb Digital Repository
Created on2016-09-19 12:28:49