Računalna glazba

undergraduate thesis

• Title (english): Computer music
• Author: Duje Gugo
• Mentor: Tomislav Ivanjko (mentor)
• Committee member: Ivana Hebrang Grgić (predsjednik povjerenstva)
• Committee member: Marko Pavlovski (član povjerenstva)
• Committee member: Tomislav Ivanjko (član povjerenstva)
• Granter: University of Zagreb; Faculty of Humanities and Social Sciences; (Department of information and Communication sciences); Zagreb
• Defense date and country: 2019-09-24, Croatia
• Scientific / art field, discipline and subdiscipline: SOCIAL SCIENCES; Information and Communication Sciences

Abstract

Radi čovjekove želje za inovacijom je uvijek bila prisutna integracija tehnoloških novina u svim poljima, čak i u polju glazbene umjetnosti. Sredinom dvadesetog stoljeća je zahvaljujući pojavi digitalnog signala i programabilnoj moći modernih računala bio kreiran novi oblik stvaranja i manipulacije sintetiziranog zvuka predvođen inženjerom elektrotehnike Max Mathewsom i njegovim istraživanjima u mladom polju računalne glazbe. Zahvaljujući njima glazbenici su mogli dizajnirati sami „atom zvuka“ u glazbi koje stvaraju te naučiti o tada neviđenim mogućnostima njegovog oblikovanja. Uz to se implementacija programskih jezika u proces skladanja pokazala iznimno uspješnom i korisnom radi generalnosti njihove primjene te su programski jezici kroz kontekst programiranja pomogli glazbenicima otkriti nove tehnike pristupa kompoziciji glazbe. Ovo su samo neke od tema koje su opisane u ovome radu, a osim njih su navedeni i opisani brojni programi i pomagala za stvaranje računalne glazbe te platforme na kojima se može stvarati.

Abstract (english)

Due to the human strive for innovation there has always been an integration of technological novelties in all fields, including the field of music. In the middle of the 20th century a new way of forming and manipulating synthesized sound was created, thanks to the advent of digital signal processing and the programming power of modern computers. This new wave of synthesized sound processing and manipulation was headed by electronic engineer Max Matthews and his research in the still young field of computer music. Thanks to him and his research, musicians could design the bare "atom of sound" in the music they are creating and also learn about the never before seen possibilities of it's formation. Other than that, the implementation of programming languages in the process of composition has proven itself to be quite successful and useful due to the generality of its application. Also, the programming languages themselves have helped musicians discover new techniques of approaching music composition through the context of programming. These are merely some of the subjects that have been adressed in this work, including the subject of the wide range of applications and tools made for creating computer music and the available platforms for its creation.

• Keywords: računalna glazba; digitalni zvuk; programski jezici; skladanje
• Keywords (english): computer music; digital sound; programming languages; composition
• Language: croatian
• URN:NBN: urn:nbn:hr:131:077460
• Study programme: Title: Information Sciences; Study programme type: university; Study level: undergraduate; Academic / professional title: sveučilišni/a prvostupnik/prvostupnica (baccalaureus/baccalaurea) informacijskih znanosti (sveučilišni/a prvostupnik/prvostupnica (baccalaureus/baccalaurea) informacijskih znanosti)
• Type of resource: Text
• File origin: Born digital
• Access conditions: Open access
• Repository: ODRAZ
• Created on: 2019-10-30 12:13:42